DISMARC - Metastore - Search result for query Description:(("Debut solo album from the charismatic lead singer of Oysterband. \n \nOysterbands John Jones is going back to his roots with his debut solo CD, Rising Road. After 30 years with Oysterband, John has teamed up with friends old and new to explore and re-invent some of the classic traditional songs he loved in his youth, which stand alongside several beautiful, self-written tracks. \n \nThe idea for the album came about when, on a short break from Oysterband a few years ago, John toured alongside his friends Benji Kirkpatrick (Bellowhead, Faustus) and Seth Lakeman. The collaboration worked so well that a seed was planted. Four years later, Rising Road was born. The album features contributions from Seth and Benji, as well as Ian Kearey (banjo/dulcimer), Rowan Godel (vocals), Sophie Walsh (harp), Dil Davies (percussion and drums), Francois Deville (pedal steel guitar) and Alan Prosser (guitars). Producer Al Scott added some more musical colours wherever needed. \n \nJohn has a great love of the British countryside, and he had always felt that traditional songs go hand-in-hand with the landscape, so he wanted to choose songs which reflect this: "A lot of the songs I m singing are traditional. Im not a very urban animal; I feel folk music to be rural and open. When I sing, I m visualising the story,") and ("the landscape is a big part of that. Much of this album is an imaginative retake on songs Ive known for years. I ve tried to look at the traditonal songs very simply,") and ("Ive chosen ones that have a story for me, a close attachment." \n \nThe album is more pared-down than the usual big, bold Oysterband sound, with simpler, more understated arrangements. But this doesn t mean that the tracks lack sophistication, as John still brings his full range of influences to bear. The traditional song Polly on the Shore, for example, gets a brilliant, slightly sinister a cappella re-working which sounds more redolent of the American south than the British countryside. I had been listening to some of Alan Lomax's American prison farm recordings, and that percussive approach of the work song just seemed right. \n \nWhile Rising Road contains seven traditional songs, including the mellow, reflective Rocks of Bawn, the spare, poignant Newlyn Town") and ("the stirring, shanty-flavoured Fire Marengo, there are also five new songs written by John. and, as with the traditional tracks, Some of the songs I've written for the album have a real sense of place, he says. Amongst these is Walking Through Ithonside, which reflects on exploring the wild, untamed Welsh countryside where he lives. This re-connection of the music") and ("the landscape has been very important in the genesis of Rising Road - the album was even given a short sneak preview tour in the spring, which saw John WALKING from his home in the Welsh borders to all the venues along the way, ending up at Oysterbands Big Session festival in Leicester - a total of almost 200 miles. The album s themes (and title!) were given full realisation in a few weeks on the road, where fans, friends") and ("fellow musicians joined John for both the walking") and ("the gigs. Part endurance test, part completely mad idea,") and ("part homage to the countryside he loves, the tour really helped him to crystallise his thinking about the new album. \n \nI've spent so much of my working life travelling, but it's mostly been sitting in a tour bus. I'm forever looking out of the window, following the shapes of the hills as they go past and wondering what it would be like to be out there, John says. The tour idea") and ("album evolved almost as twin projects,") and ("everyone involved loved the experience so much that John hopes to do a similar tour to promote Rising Road later in the year. \n \nSo after 30 years in music, why is this Johns first solo album? "The other members of the band have often gone off and done separate things, but it s always been difficult for me as the singer, as my voice is attached to the emotional weight of Oysterbands music," John explains. "With the Rising Road project, I ve really enjoyed being able to express what I do") and ("who I am when Im not fronting Oysterband.""))

No records were found

The query was Description:(("Debut solo album from the charismatic lead singer of Oysterband. \n \nOysterbands John Jones is going back to his roots with his debut solo CD, Rising Road. After 30 years with Oysterband, John has teamed up with friends old and new to explore and re-invent some of the classic traditional songs he loved in his youth, which stand alongside several beautiful, self-written tracks. \n \nThe idea for the album came about when, on a short break from Oysterband a few years ago, John toured alongside his friends Benji Kirkpatrick (Bellowhead, Faustus) and Seth Lakeman. The collaboration worked so well that a seed was planted. Four years later, Rising Road was born. The album features contributions from Seth and Benji, as well as Ian Kearey (banjo/dulcimer), Rowan Godel (vocals), Sophie Walsh (harp), Dil Davies (percussion and drums), Francois Deville (pedal steel guitar) and Alan Prosser (guitars). Producer Al Scott added some more musical colours wherever needed. \n \nJohn has a great love of the British countryside, and he had always felt that traditional songs go hand-in-hand with the landscape, so he wanted to choose songs which reflect this: "A lot of the songs I m singing are traditional. Im not a very urban animal; I feel folk music to be rural and open. When I sing, I m visualising the story,") and ("the landscape is a big part of that. Much of this album is an imaginative retake on songs Ive known for years. I ve tried to look at the traditonal songs very simply,") and ("Ive chosen ones that have a story for me, a close attachment." \n \nThe album is more pared-down than the usual big, bold Oysterband sound, with simpler, more understated arrangements. But this doesn t mean that the tracks lack sophistication, as John still brings his full range of influences to bear. The traditional song Polly on the Shore, for example, gets a brilliant, slightly sinister a cappella re-working which sounds more redolent of the American south than the British countryside. I had been listening to some of Alan Lomax's American prison farm recordings, and that percussive approach of the work song just seemed right. \n \nWhile Rising Road contains seven traditional songs, including the mellow, reflective Rocks of Bawn, the spare, poignant Newlyn Town") and ("the stirring, shanty-flavoured Fire Marengo, there are also five new songs written by John. and, as with the traditional tracks, Some of the songs I've written for the album have a real sense of place, he says. Amongst these is Walking Through Ithonside, which reflects on exploring the wild, untamed Welsh countryside where he lives. This re-connection of the music") and ("the landscape has been very important in the genesis of Rising Road - the album was even given a short sneak preview tour in the spring, which saw John WALKING from his home in the Welsh borders to all the venues along the way, ending up at Oysterbands Big Session festival in Leicester - a total of almost 200 miles. The album s themes (and title!) were given full realisation in a few weeks on the road, where fans, friends") and ("fellow musicians joined John for both the walking") and ("the gigs. Part endurance test, part completely mad idea,") and ("part homage to the countryside he loves, the tour really helped him to crystallise his thinking about the new album. \n \nI've spent so much of my working life travelling, but it's mostly been sitting in a tour bus. I'm forever looking out of the window, following the shapes of the hills as they go past and wondering what it would be like to be out there, John says. The tour idea") and ("album evolved almost as twin projects,") and ("everyone involved loved the experience so much that John hopes to do a similar tour to promote Rising Road later in the year. \n \nSo after 30 years in music, why is this Johns first solo album? "The other members of the band have often gone off and done separate things, but it s always been difficult for me as the singer, as my voice is attached to the emotional weight of Oysterbands music," John explains. "With the Rising Road project, I ve really enjoyed being able to express what I do") and ("who I am when Im not fronting Oysterband."")) IN (ENG)(...close)The query was Description:("Debut solo album from the charismatic lead singer of Oysterband. \n \nOysterbands John Jones is going back to his roots with his debut solo CD, Rising Road. After 30 years with Oysterband, John has teamed up with friends old and new to explore and re-invent some of the classic traditional songs he loved in his youth, which stand alongside several beautiful, self-written tracks. \n \nThe idea for the album came about when, on a short break from Oysterband a few years ago, John toured alongside his friends Benji Kirkpatrick (Bellowhead, Faustus) and Seth Lakeman. The collaboration worked so well that a seed was planted. Four years later, Rising Road was born. The album features contributions from Seth and Benji, as well as Ian Kearey (banjo/dulcimer), Rowan Godel (vocals), Sophie Walsh (harp), Dil Davies (percussion and drums), Francois Deville (pedal steel guitar) and Alan Prosser (guitars). Producer Al Scott added some more musical colours wherever needed. \n \nJohn has a great love of the British countryside, and he had always felt that traditional songs go hand-in-hand with the landscape, so he wanted to choose songs which reflect this: "A lot of the songs I m singing are traditional. Im not a very urban animal; I feel folk music to be rural and open. When I sing, I m visualising the story,") IN (ENG)(show multilingual terms...)

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No records were found (Query:Description:("Debut solo album from the charismatic lead singer of Oysterband. \n \nOysterbands John Jones is going back to his roots with his debut solo CD, Rising Road. After 30 years with Oysterband, John has teamed up with friends old and new to explore and re-invent some of the classic traditional songs he loved in his youth, which stand alongside several beautiful, self-written tracks. \n \nThe idea for the album came about when, on a short break from Oysterband a few years ago, John toured alongside his friends Benji Kirkpatrick (Bellowhead, Faustus) and Seth Lakeman. The collaboration worked so well that a seed was planted. Four years later, Rising Road was born. The album features contributions from Seth and Benji, as well as Ian Kearey (banjo/dulcimer), Rowan Godel (vocals), Sophie Walsh (harp), Dil Davies (percussion and drums), Francois Deville (pedal steel guitar) and Alan Prosser (guitars). Producer Al Scott added some more musical colours wherever needed. \n \nJohn has a great love of the British countryside, and he had always felt that traditional songs go hand-in-hand with the landscape, so he wanted to choose songs which reflect this: "A lot of the songs I m singing are traditional. Im not a very urban animal; I feel folk music to be rural and open. When I sing, I m visualising the story,"))

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