DISMARC - Metastore - Search result for query Description:(("In 1990, I saw a picture of Tottes hurdy gurdy in a magazine portrait of Hedningarna. We had just started our own band, Garmarna, and were digging deep to find something sexier than the line up of fiddle, guitar and banjo we were using. For a 16 year old with a newfound Folk Fetish going on, the sheer sight of this instrument was mind boggling. Had to have one! It took me a year of research and waiting for it to be built, but when it finally arrived everything clicked. The core focus in the music I wanted to do was found. \n \nTo me, the appeal of the Swedish hurdy gurdy that we use lies within its incompleteness. It s raw") and ("unfinished. It wants to do everything but isnt quite fit to do so. The beauty of the music comes from how fragile it sounds when something so raw wants to sing something beautiful. \n \nI ve never been very interested in the history of the instrument, just fascinated by its possibilites in music today. Nothing can replace it, nothing can sound so mysterious") or ("powerful. Its attempt to do everything has earned it a reputation of being a medieval synthesizer") and ("that’s where this record takes its starting point. For years, Totte") and ("I have been busy trying to make this stubborn instrument work in places It doesnt naturally belong. Putting mics on the hurdy gurdy without knowing how to do so in the first place has produced a lot of sounds never heard before, sounds that causes laughs in the rehearsing rooms: The insect is awake! Since this is our reality, we ve grown to love this second nature of the instrument. Its hidden and new and we ve explored it to the maximum on this disc. \n \nThe idea of the medieval synthesizer is slightly updated to the idea of our own homebrewed idea of a synthesizer, recording hours of natural") and ("not") so natural sounds from our instruments ("and") chopping it up in our Macs. Everything audible here is original Hurdy Gurdy sounds, thats a guarantee! This represents the end of a search for us but it s also a start. We now have the tools ("and") the idea clear in our minds. Our world of wood, gut strings, cranks ("and") laptops might seem pretty small but we are proud of it ("and"))

No records were found

The query was Description:(("In 1990, I saw a picture of Tottes hurdy gurdy in a magazine portrait of Hedningarna. We had just started our own band, Garmarna, and were digging deep to find something sexier than the line up of fiddle, guitar and banjo we were using. For a 16 year old with a newfound Folk Fetish going on, the sheer sight of this instrument was mind boggling. Had to have one! It took me a year of research and waiting for it to be built, but when it finally arrived everything clicked. The core focus in the music I wanted to do was found. \n \nTo me, the appeal of the Swedish hurdy gurdy that we use lies within its incompleteness. It s raw") and ("unfinished. It wants to do everything but isnt quite fit to do so. The beauty of the music comes from how fragile it sounds when something so raw wants to sing something beautiful. \n \nI ve never been very interested in the history of the instrument, just fascinated by its possibilites in music today. Nothing can replace it, nothing can sound so mysterious") or ("powerful. Its attempt to do everything has earned it a reputation of being a medieval synthesizer") and ("that’s where this record takes its starting point. For years, Totte") and ("I have been busy trying to make this stubborn instrument work in places It doesnt naturally belong. Putting mics on the hurdy gurdy without knowing how to do so in the first place has produced a lot of sounds never heard before, sounds that causes laughs in the rehearsing rooms: The insect is awake! Since this is our reality, we ve grown to love this second nature of the instrument. Its hidden and new and we ve explored it to the maximum on this disc. \n \nThe idea of the medieval synthesizer is slightly updated to the idea of our own homebrewed idea of a synthesizer, recording hours of natural") and ("not") so natural sounds from our instruments ("and") chopping it up in our Macs. Everything audible here is original Hurdy Gurdy sounds, thats a guarantee! This represents the end of a search for us but it s also a start. We now have the tools ("and") the idea clear in our minds. Our world of wood, gut strings, cranks ("and") laptops might seem pretty small but we are proud of it ("and")) IN (ENG)(...close)The query was Description:("In 1990, I saw a picture of Tottes hurdy gurdy in a magazine portrait of Hedningarna. We had just started our own band, Garmarna, and were digging deep to find something sexier than the line up of fiddle, guitar and banjo we were using. For a 16 year old with a newfound Folk Fetish going on, the sheer sight of this instrument was mind boggling. Had to have one! It took me a year of research and waiting for it to be built, but when it finally arrived everything clicked. The core focus in the music I wanted to do was found. \n \nTo me, the appeal of the Swedish hurdy gurdy that we use lies within its incompleteness. It s raw") IN (ENG)(show multilingual terms...)

Items 1 to 0

Loading mediaplayer...

#	Sel.	Organisation / Collection	Type	Bibliographic citation	Play
No records were found (Query:Description:("In 1990, I saw a picture of Tottes hurdy gurdy in a magazine portrait of Hedningarna. We had just started our own band, Garmarna, and were digging deep to find something sexier than the line up of fiddle, guitar and banjo we were using. For a 16 year old with a newfound Folk Fetish going on, the sheer sight of this instrument was mind boggling. Had to have one! It took me a year of research and waiting for it to be built, but when it finally arrived everything clicked. The core focus in the music I wanted to do was found. \n \nTo me, the appeal of the Swedish hurdy gurdy that we use lies within its incompleteness. It s raw"))

No records were found

Items 1 to 0

Main Menu

Search Menu

Community

User Menu

Join

Select Language