Object |
---|
Title: | Dritter Teil:
Nr. 40: I know that my Redeemer liveth (Arie/Sopran)
Nr. 41: Since by man came death (Chor)
Nr. 42: Behold, I tell you a mystery (Accompagnato/Baß)
Nr. 43a: The trumpet shall sound (Arie/Baß)
Nr. 47: Worthy is the Lamb that was slain - Amen (Chor)
Beifall ausgeblendet | |
---|
Title: | Erster Teil:
Nr. 1: Sinfonia. Grave - Allegro moderato
Nr. 2: Comfort ye, comfort ye my people (Accompagnato/Tenor)
Nr. 3: Every valley shall be exalted (Arie/Tenor)
Nr. 4: And the glory of the Lord shall be revealed (Chor)
Nr. 5: Thus saith the Lord of Hosts (Accompagnato/Bass)
Nr. 6: But who may abide the Day of his Coming? (Arie/Alt)
Nr. 7a: And He shall purify the Sons of Levi (Chor)
Nr. 7b: Behold, a virgin shall conceive (Rezitativ/Altus)
Nr. 8: O thou that tellest good tidings to Zion (Arie/Altus und Chor)
Nr. 9: For behold, darkness shall cover the earth (Accompagnato/Baß)
Nr. 10: The people that walked in darkness (Arie/Baß)
Nr. 11: For unto us a Child is born (Chor)
Nr. 12a: Pifa (Pastoral Symphony)
Nr. 12b: There were shepherds i the field (Rezitativ/Sopran)
Nr. 13a: But low, the angel of the Lord (Arie/Sopran)
Nr. 13b: And the angel said unto them (Rezitativ/Sopran)
Nr. 14: And suddenly there was with the angel (Accompagnato/Sopran)
Nr. 15: Glory to God in the highest (Chor) | |
---|
Title: | Messiah. Oratorium in 3 Teilen für Soli, Chor und Orchester, HWV 56 | |
---|
Title: | Nr. 16a: Rejoice greatly, O daughter of Zion (Arie/Sopran) | |
---|
Title: | Nr. 16b: Then shall the eyes of the blind be opene'd (Rezitativ/Alt) | |
---|
Title: | Nr. 17: He shall feed His flock (Duett/Sopran, Alt) | |
---|
Title: | Nr. 18: His yoke is easy and his burthen is light (Chor)
Zweiter Teil:
Nr. 19: Behold the lamb of God (Chor)
Nr. 20: He was despised (Arie/Altus)
Nr. 21: Surely he hath borne our griefs (Chor)
Nr. 22: And with his stripes we are healed (Chor)
Nr. 23: All we like sheep have gone astray (Chor)
Nr. 24: All they that see him laugh him to scorn (Accompagnato/Tenor)
Nr. 25: He trusted in God (Chor)
Nr. 26: Thy rebuke hath broken his heart (Accompagnato/Tenor)
Nr. 27: Behold, and see (Arioso/Tenor)
Nr. 28: He was cut out of the land (Accompagnato/Tenor)
Nr. 29: But Thou didst not leave His soul in hell (Arie/Tenor)
Nr. 30a: Lift up your heads, o ye gates (Chor)
Nr. 34: How beautiful are the feet of Him (Duett/Sopran und Chor)
Nr. 36: Why do the nations so furiously rage together (Arie/Baß)
Nr. 37a: Let us break their bonds asunder (Chor)
Nr. 37b: He that dwelleth in heaven (Rezitativ/Tenor)
Nr. 38: Thou shalt break them with a rod of iron (Arie/Tenor)
Nr. 39: Hallelujah! (Chor) | |
---|
Title-alternative: | Der Messias | |
---|
Genre: | Art/Oratorium | Vocabulary: dmGenres
|
---|
Genre: | Oratorium | |
---|
Instrument: | Sopran | |
---|
Instrument: | Alt | |
---|
Instrument: | T B | |
---|
Instrument: | Chor | |
---|
Instrument: | So t | |
---|
Performance Setting: | vokal und instrumental | |
---|
Description: | Konzertmitschnitt (mit Beifall) | |
---|
Contributor: | Händel, Georg Friedrich (1685-1759) | role: Composer
|
---|
Contributor: | Jennens, Charles (1700-1773) (Libretto) | role: Lyricist
|
---|
Contributor: | Marshall, Margaret (Sopran)
Walker, Penelope (Alt)
Büchner, Eberhard (Tenor)
Knapp, Peter (Baß) | role: Soloist
|
---|
Contributor: | RIAS-Kammerchor | role: Choir
|
---|
Contributor: | Gronostay, Uwe | role: Conductor
|
---|
Contributor: | Berliner Philharmonisches Orchester | role: Orchester
|
---|
Contributor: | Mehta, Zubin | role: Conductor
|
---|
Contributor: | Peters, Frankfurt | role: Publisher
|
---|
Date-recorded: | 20. Jahrhundert/Achtziger Jahre des 20. Jahrhunderts | Vocabulary: dmEras
|
---|
Date-recorded: | 12.12.1981 | |
---|
Type: | Sound | |
---|
Entity Type: | track | |
---|
Format: | Stereo | |
---|
Format: | Tonband | Vocabulary: dmFormats
|
---|
Extent: | 122:10 | |
---|
Language: | englisch | Vocabulary: dmLanguages
|
---|
is part of: | SFB-Konzertmitschnitt Philharmonie Berlin vom 12.12.1981 | navigate: RBB:SERIOUS_MUSIC/002850849Z00
|
---|
Place: | Berlin, Philharmonie | role: recording
|